曾我派

曾我派は越前朝倉氏に代々仕えた水墨画家の画系です。室町時代（15世紀後半）から天正元年（1573）の朝倉義景滅亡まで、5代にわたって朝倉氏に仕え、朝倉文化の創造に貢献しました。初代の墨渓は越前出身の画僧周文に学び、南宋院体画に朝鮮絵画の様式を踏まえて独自の画系の礎を築きました。また臨済宗大徳寺の僧・一休と縁が深く、その肖像画や大徳寺関係の画事に従事しました。墨渓の子である宗丈は曾我派を代表する絵師で、山水画は直線的な線描で余白を多く取った瀟洒なものから、中国南宋の画僧・玉澗風の溌墨作品まで幅広く描きました。

ナレーション音読さん

English

The Soga School:
Guardians of Echizen Asakura's Artistic Legacy

The Soga school, or Sogaha, stands as a testament to the rich tradition of ink painting nurtured by generations of artists in service to the esteemed Echizen Asakura clan. Spanning from the latter half of the Muromachi period in the 15th century until the fall of Asakura Yoshikage in 1573, this illustrious lineage of ink painters played a pivotal role in shaping the cultural landscape of Asakura domain.

The founding patriarch, Mokkei, honed his craft under the tutelage of Shubun, a revered painter monk from Echizen. Drawing inspiration from the Nansouin Taiga style and Korean painting techniques, Mokkei forged a distinctive artistic style that laid the groundwork for the Soga school’s enduring legacy. Notably, his close association with Ikkyu, a monk of the Rinzai sect of Daitokuji, fueled his endeavors in portraiture and compositions inspired by the illustrious Daitokuji tradition.

Succeeding generations of the Soga lineage, exemplified by luminaries like Soujou, continued to innovate and evolve the school’s aesthetic repertoire. Soujou’s masterful landscape paintings spanned a spectrum of styles, from the refined elegance of straight-line drawings with generous negative space to the intricate ink works reminiscent of Yu Jian, the esteemed master painter of China's Southern Song Dynasty.

Through their diverse body of work, the Soga school epitomizes a harmonious fusion of artistic traditions, weaving together the cultural tapestry of Echizen Asakura with unparalleled finesse and creativity. As custodians of a cherished artistic heritage, the Soga artists’ contributions endure as timeless treasures, offering profound insights into the enduring legacy of Japanese ink painting.

中国語（簡）

曾我派

曾我派是代代侍奉越前朝仓氏的水墨画画派。从15世纪后期室町时代始，到天正元年（1573年）朝仓义景自杀，曾我派侍奉了五代朝仓大名，为朝仓文化的发展作出了贡献。曾我派初代画师墨溪师从越前出身的画僧周文学画，将朝鲜绘画的风格融入南宋院体画，奠定了独一无二的画派的基础。他与临济宗大德寺僧人一休很有交情，绘制了一休的肖像画并参与了大德寺相关的绘画工作。墨溪之子宗丈是曾我派代表性的画师，他的作品风格多样，从采用直线线描、多留余白、潇洒雅致的山水画，到中国南宋画僧玉涧风格的泼墨画都有涉猎。

中国語（繁）

曾我派

曾我派是越前朝倉氏世代侍奉的水墨畫家所形成的一種畫系。從15世紀後半葉的室町時代，到1573年、天正元年朝倉義景滅亡為止，五代人侍奉朝倉氏，對朝倉文化的創造做出了貢獻。初代墨溪師從越前出身的畫僧周文，他在南宋院體畫的基礎上，融入了朝鮮畫風格，奠定了自己獨有的畫風基礎。此外他還與臨濟宗大德寺的僧侶一休有著深厚之緣，並參與了繪製一休肖像畫以及與大德寺相關的繪畫活動。墨溪的兒子宗丈是曾我派的代表畫家，他的山水畫，從直線線條和大量留白的瀟灑作品，到中國南宋畫僧玉澗風的發墨作品，均有涉獵。