葛飾北斎《杣人春秋山水図》
江戸時代（1820頃） 絹本著色 三幅対
English 中国語（簡） 中国語（繁）
大胆奇抜な発想と緻密な構成の作品で、世界的にも評価が高い葛飾北斎は江戸後期の浮世絵師です。作域は広く、役者絵や花鳥画、風景画、各種挿絵など多岐に渡り、とりわけ風景画の分野では「富嶽三十六景」などの傑作を世に送り出し、90歳で没するまで精力的に活動しました。本作は背負った薪の上に子どもを乗せて帰るきこりの親子を中幅に、春秋の風景を左右に配し、庶民の姿に山水を配する変わった構成は北斎の独創によるものと思われます。くわえて色彩の対比や大胆な構図、そして山塊や家々の形態が作り出す造形的な面白さは、本図を含めた北斎作品の最大の魅力といえます。
ナレーション音読さん
English
Katsushika Hokusai "Spring and Autumun Landscapes with a woodcutter’s family"
Katsushika Hokusai, an eminent figure of the late Edo period, commands global reverence for his innovative vision and meticulously crafted artworks. Renowned for his unparalleled versatility, Hokusai's repertoire spans a myriad of genres, encompassing actor portraits, floral studies, landscapes, and diverse illustrations. Among his seminal achievements, the iconic Thirty-six Views of Mt. Fuji stands as a testament to his enduring legacy, showcasing his inexhaustible creativity until his remarkable longevity, persevering in artistic endeavors until the age of 90.
The captivating allure of Spring and Autumn Landscapes lies in its unconventional composition - a testament to Hokusai's singular artistic vision. In this composition, a tender scene unfolds, depicting lumberjacks carrying his child homeward on his back, set amidst sweeping landscapes of spring and autumn. This innovative juxtaposition of human figures against the backdrop of nature exemplifies Hokusai’s ingenuity and originality.
Central to the allure of Hokusai’s works, including this masterpiece, is the dynamic interplay of colors, daring compositions, and the sculptural depth evoked by the majestic contours of mountains and humble dwellings. These elements coalesce to form the quintessence of Hokusai’s artistic prowess, captivating viewers with their arresting beauty and timeless appeal.
Through Spring and Autumn Landscapes with a woodcutter’s family, Hokusai invites us to contemplate the harmonious interplay between humanity and the natural world - a theme that resonates deeply within the rich tapestry of Japanese cultural heritage. As we immerse ourselves in the sublime vistas of Hokusai’s imagination, we are transported on a journey of discovery, where the ephemeral beauty of seasons intertwines with the enduring spirit of humanity.
中国語（簡）
葛饰北斋 樵夫春秋山水图
葛饰北斋是江户时代后期的浮世绘画家，其作品以构思大胆新奇、构图精密著称，在全世界赢得极高赞誉。他的作品主题广泛，从歌舞伎演员画到花鸟画、风景画、各种插画均有涉猎，其中属于风景画的《富岳三十六景》更是举世无双的杰作。直到九十岁去世，他都保持了旺盛的创作生命力。本作品由左中右三幅作品组成。中间的作品描绘了一位背着柴火回家、柴火上坐着一个小孩子的樵夫形象，左右两幅作品则分别是春秋山水景象。将庶民的形象与山水风景相组合，这种有些奇怪的搭配正是葛饰北斋独一无二的构想。除此以外，色彩的对比、大胆的构图、山体与房屋形状所构成的造型上的趣味，可以说是包含本作品在内的葛饰北斋画作所拥有的最大魅力吧。
中国語（繁）
葛飾北斎 杣人春秋山水圖
葛飾北斎是江戶後期的浮世繪畫家，以其大膽的創意和精緻的構圖享譽世界。他的畫作領域廣泛，包括戲劇畫、花鳥畫、風景畫、各種插畫等，特別是在風景畫領域，他創作了「富嶽三十六景」等傑作，直到90歲去世前都保持著旺盛的創作活力。這件作品以春秋風景為左右背景，中幅描繪了一名樵夫背著柴火，並讓孩子騎在柴火上一起回家的場景，這種將平民形象與山水風光相結合的獨特組合被認為是北斎的獨創。除此之外，色彩的對比、大膽的構圖，以及山巒和房屋形態所營造出的造形意趣，都是包括這件作品在內的北斎作品的最大魅力。